I might as well post this now, because I'm not likely to finish another book tomorrow. I mean, it's a good book I'm reading, but I started it in August, so there's no rush. "Ghost Story" by Peter Straub. This was recommended on the VP list, I think, or maybe OWW, as a most awesome example of horror. It was fabulous. It has an excellent example of a prologue that is a prologue, and is totally necessary to the story (this has been a very hot topic on both afore-mentioned lists lately -- apparently lots of people don't read prologues). The ending would make little sense without the prologue, and it set up a bunch of characters nicely. There were numerous points-of-view, and I loved the way they all conflicted with each other. People misread other people, misinterpreted them. Stella saw everything. I wish there was more Stella. "The Pyrates" by George MacDonald Frasier. It was mentioned on some blog I don't frequent, but I have a colleague who o
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