Skip to main content

In Process (first drafts): November 2011

“Fairfax”. Started month with about about 36,000 words, in the midst of Chapter 14. Ended with about 43,000 and having started Chapter 17.

Have I mentioned my process? When I start a novel, I always feel like everything is going to be great this time. I have a brilliant idea, and I just can’t wait to start RIGHT NOW!!!!!!! I write about 15,000 words, and then I realize that I don’t know what happens next. I have a general idea of how things need to end (giant robots!) but I don’t know how I’m going to get from here (burned house in the woods and water wheel and witch hunter) to making the giant robots and having the battle. So I write an outline of the next 75 things that are going to happen between here and the ending (that’s one thing for every thousand words I have left to write).

I do not write the outline from now to the end, I start with the end, and then fill in backwards, and then frontwards, and then I fill in the middle. And then I largely ignore the outline and write another 20,000 words. Then I get stuck again and I go and look at the outline, and try to cross things off that I’ve covered.

This is not pretty. I have covered more than 30 of these things. I do not know who the bad guy is, or some other essential piece of information. I write another outline, this time with 55 things in it, trying to get back on track to the same ending. I write some more.

That’s where I am now.

Popular posts from this blog

Best TW feedback ever

Over at the dayjob, SMEs are feverishly trying to get documents back to me all marked up, in preparation for the release that's supposed to happen the week I'm back from VP. Today's best comment: Unfortunately not true. SMEs, they're so cute.

What I read: January 2024

"Morgan is my name" by Sophie Keech. Office book club selection. It gets exhausting to read about plucky young heroines who are terrible at needlework all the time. I should probably read some Jo Walton. I mean, you can be good at needlework and other things too! I didn't find this book very surprising. The first half was kind of boring, but it got better towards the end.  LHC #233: "The Shifter" by Janice Hardy. I read her writing advice website regularly, so I thought I should maybe read an actual book to find out if she was worth it. Oh my, the voice of this book grabbed me immediately. The worldbuilding seemed shady but the voice was solid. It wasn't very subtle, but I might not be the target audience.  LHC #234: "Ragnarok: The End of the Gods" by A. S. Byatt. At this point with my library account, I'm just guessing. I know there was something by Byatt there? I suspect there was. I did not know what to make of this book. Strange, but it w

What I read: March 2024

  LHC #240: "Vita Nostra" by  Maryna and Serhiy Dyachenko. Translated by Julia Meitov Hersey. All I knew going in was dark academia. This was a neat thing to read after A Deadly Education last month. The students can leave this school at summer and winter break, but maybe they shouldn't. Also, interesting education method, providing Sasha with a CD player and punishing her if she leaves it in the mode where it plays all the tracks in sequence.  "Norse Mythology" by Neil Gaiman. When I finished Ragnarok by AS Byatt (last month? January?) I was thinking it might have made more sense if I had any knowledge of the subject matter. The boy had left this lying around, and it was not a tough read.  LHC #241: "Science on a mission: How Military funding shaped what we do and don't know about the ocean" by Naomi Oreskes.  I deferred this once because it was so long. History of science is challenging for me to read, because of the need to get a grasp on dispr