Robynettely

“The Guns of Avalon” by Roger Zelazny. Book 2 of the Chronicles of Amber. I didn’t notice so much in book 1, but Zelazny really paints nice pictures and makes incredible economy of words in these. “Persuasion” by Jane Austen. When I go to the library, I like to take something out to be supportive, so when they didn’t have whatever the next Jim Butcher book is in the Desden Files, I took out this. Also, I have a DVD of it, and I prefer to read the book first. Anyway, this was a Penguin edition, and it had an over-explaining introduction and footnotes that didn’t seem necessary to me. A lot of the footnoted words were comprehensible in context, and I mean, who really cares that the particular coach they’re talking about is better than a convertible because the top can go either way? I love Jane Austen, and this book was charming. “Sign of the Unicorn” by RZ. These are so short I almost feel guilty counting them each, rather than reading the whole five-book series as a single book. But

The challenge is here . This is something I had lying around that I wrote originally in March 2009. Maybe I'll post the whole 650-word version tomorrow. The bouncy ball was bisphenol-b. When the princess accidentally tossed it into a well, it sank to the bottom. A frog croaked, "I'll fetch it for you, for a kiss." "Okay," the princess said. "Kiss, then ball," the frog said. Their lips touched. The frog grew and the green localized to tights and a jacket; obviously a prince. The princess forgot about the ball. They didn't live happily ever after. As a frog, the prince had absorbed a lot of pseudo-estrogens. His vestigial third leg gave the princess the willies, and his sperm count was insufficient to provide heirs, anyway.

First Draft “Fairfax”. Started month with about about 28,000 words, in the midst of Chapter 11. Now I’m in Chapter 14, with about 36,000 words. That’s a third of a book! And now I will espouse for a moment on why I write a page a day. A couple of nights ago, I’d done like 4000 words of the Dowsing rewrite and I wasn’t totally into writing a page (roughly 280 words) of Fairfax. But I had to, so I sat down and started writing. I wrote a couple of paragraphs of description, and then the POV character said something that totally surprised me: he said (without giving anything away) he missed the clothes. He didn’t miss the lifestyle of what he was looking at, but he did miss the clothing. I was totally shocked and surprised, because right there, with those four words, he gave me all of his backstory. I knew who he was right now, but I had no backstory for that character, and because I was dragging my way through that block of text, he gave me a gift, “this is who I used to be.” Editing “Ra